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Body parts and music

Fantastic work exploring the relationship between body parts and musical genres.

The rest of the Fleshmap project is pretty amazing too.

“I shall strive for the highest”

An appropriate school motto in this case?

“I shall strive for the highest”

Beyond either/or

Sweden is a society where building consensus is an everyday part of life – even in business. “We all talk to each other: companies, politicians, citizen groups,” says Eklund. “So there are less conflicts in Sweden than in other places. We also have confidence in authority. If there is no trust between partners, it’s impossible to do these things.”

Here.

My dad

1937-2008.

SMH obituary.

Some video from Dusted on Friday




MVI_1042

Originally uploaded by nico)))

Here’s some retro-nuttiness from Friday night at Dusted.

I’d not played some of these tracks out on a big system in 16 years! And some may not get played for another 16 years . . . .

The video has tracks from Eon and Rave Crusader both in the mix and Ozi Batla is doing his best/worst impersonation of a rave MC circa 92.

Here’s the full set list from our set. I’m sure someone will upload it somewhere eventually.

Genlog - Mockmoon (intro)
Mental Generation - Slam
Underground Resistance - Riot
Outlander - Vamp
A Hippie, A Homeboy and a Funki Dredd - Total Confusion (Confusion mix)
Meat Beat Manifesto - Radio Babylon
Toxic - Original Style
Joey Beltram - Energy Flash
Acid Wolf - Valley Shuffle
N-Joi - Malfunction
Mental Cube - Q
Acid Junkies - Sector 9
Edge - Culminatr
Human Resource - Dominator (remix)
Eon - Basket Case
Rave Crusader - Energy Overload (Acid Changes mix)
Vinyl Countdown - Paroles
Roots - Racing Car
Hardfloor - Acerperience 3
Car & Driver - Drive
Egyptian Empire - Istanbul
Rotterdam Termination Source - Poing (Jump A Little mix)
XVX/Illuminatae - Tremora Del Terra
Mike Ink - Lovely Ugly Brutal World
Alec Empire - Follow Me To Death

1k Project

1000 plays of the same racing game layered over each other.

Cars like liquid. Beautiful.

An animated wall by Blu

So so cool.


MUTO a wall-painted animation by BLU from blu on Vimeo.

Fine dining in Taipei - a visit to Priceless Big Mountain, Da Shan Wu Jia

It was serendipity.

Here I was in Taiwan for my final night and Kerrii emails me a restaurant review from that morning’s Sydney Morning Herald. It described a Japanese/Taiwanese restaurant high up in the mountains an hour out of central Taipei where the food reached the high standard of Tetsuya Wakuda yet cost a fraction of the price.

Armed with the address and phone number I quickly found my Taiwanese friend and host, Ilya, and gathered a group of the digital heritage folks who I was conferencing with. Ilya had never heard of the place but called the number and booked two tables, then rang the hotel and booked a minibus to take us there.

We drove through peak hour traffic singing along to what must have been the worst karaoke machine ever - an in-car karaoke running Linux and twisting a very small subset of the ‘international karaoke canon’ into squeaky MIDI files accompanied by soft-porn videos.

Situated in a wonderful Japanese-style house, the meal opened with an exquisite red wine jelly followed by handmade tofu with wasabi, pinenuts, lime and strawberry. The presentation was stunning and the taste combinations sublime. We moved on to a scallop and miso broth and an delicious sashimi salad. This was followed by another palate cleanser - and possibly the most unique taste of the night - date vinegar. tasting a little like umeshu (Japanese plum wine) it had a subtle smokey aftertaste. After a short pause a chicken broth with a separate sweetcorn broth appeared - possibly the most familiar of tastes. Then it was on to a green watercress chowder in which floated ‘fried soup’ - a cube with the texture of tofu which was in fact a cube of a thicker soup wrapped in a light batter. A tempura-style vegetable and prawn platter appeared with the some particularly delicious tempura-style purple eggplant then on to a mulberry wine palette cleanser. By this time we were expecting desserts but out came a ‘fried rice with fish roe’ dish infused with tiny shiitake mushrooms, and the ‘main course finale’ - a chicken and vegetable soup on top of which a lotus flower opened and blossomed with the rising heat. Desert finally came in the form of a light fruit platter and a sweet potato in ginger and brown sugar dish.

The tastes were delightful and the experience would rate in my top 5 restaurants. We were shocked to get the bill - AU$35 per head!

Wow.

We talked to the chef and showed him the review from the Herald. He was delighted and modest - Da Shan Wu Jia is one of Taipei’s best kept secrets.

Here are some photos of each of the dishes.

Ouch - the reality of non-payment

You’ve read and digested the figures from the big guns - Radiohead and the Nine Inch Nails supported Saul Williams release projects. Radiohead’s payment figures netted them a lot of money (and massive publicity) even if not everyone paid, Trent Reznor and Saul Williams didn’t do so well.

Little German label 2nd Rec whose music I’ve liked quite a lot took a different tack. They sent out, for free, real pressed CDs to addresses in Germany on request. Those who ordered were asked to pay what they wanted to after being made aware of the full costs incurred in recording, making, pressing and delivering the CDs to them.

Johannes reports the results -

As of today:
481 CDs were sent out (4 packages came back because they were undeliverable)
127 people paid, which means:

26.62 % chose to pay

The average price paid of those 127 people was:
8.87 Euro for full-length albums
7.95 Euro for the five track EP from Amanda Rogers

While those averages maybe don’t look that bad, this number definitely does:

0.74 Euro

That’s the average for all those 481 CDs we shipped, after substracting the shipping costs. Seventy-four Cents.

Digital works because the marginal costs approach zero - each duplicate copy incurs almost no additional cost other than marginal bandwidth and storage. Real products are different because each copy still incurs significant costs - manufacturing, shipping - on a per unit basis.

The lesson from this, I fear, is that people are pretty much unwilling to pay even the basic costs for physical music anymore and they expect the cost savings of digital to be taken up by labels - even small niche independents.

The bigger independents with established artists can still attract significant premiums on limited edition physical releases as Warp can attest having sold all 1000 copies of the very expensive ‘deluxe’ version of the new upcoming Autechre album in under 12 hours. (They also released the album on Bleep in digital form at the same time with the physical version and standard CD version shipping in March)

Scientific bacon

Finally I’m putting this online.

I took this photo at the Tsukiji Fish Markets in Tokyo when I was there in 2005 with HC11 and friends.

We didn’t buy a packet. Not even for “scientific research purposes”.


About

Play is the ‘play’ blog of Seb Chan. It is in contrast to his work and music blogs and contains random musings and miscellany that doesn’t have a suitable home elsewhere.