Cyclic Defrost

An Australian magazine focusing on interesting music

Various Artists – Dubstep Allstars Vol 3 (mixed by Kode9) (Tempa)

Dubstep continues to grow and evolve and this essential mix CD from the seminal Tempa label offers a compelling entry point for newcomers, as well as sating the desire of enthusiasts with a huge range of unreleased dubplates. Other than the impeccable (28) track selection, what makes Kode9′s mix so engaging is the presence of his collaborator and MC, Space Ape. Space Ape adds biting social commentary in his deep, slow growling voice to otherwise atmospheric, but outside of a club, sparse tracks – making this as listenable on the bus as on a big PA. Space Ape’s vocals, combined with Kode9′s mixing, emphasise the double tempos present in the various strains of dubstep with beats rolling along at 130-140bpm, Space Ape’s slow Jamaican drawl, like fellow dub poets Linton Kwesi Johnson (or perhaps, closer, Benjamin Zephaniah), at half that; and the basslines wavering between the two. As one of the grandfathers of the scene, Kode9 whose background is as much in music as critical theory – he is completing a book on warfare metaphors and music, and was part of the Cybernetic Culture Research Unit alongside Kodwo Eshun and Sadie Plant – has filled his mix with some of the best newcomers. D1, Skream and Digital Mysitkz are well represented but so are featured tracks from DJ Krave, Random Trio, Blackdown, Geiom and recent Hyperdub signing Burial. Rewind!

Sebastian Chan

Related Posts Plugin for WordPress, Blogger...

*

  • Din

    Truly awesome sound and mix.
    Have to disagree with the reviewer who puts this music at 130bpm.
    I’d say more like half that. Proppa slow dubby skanky steppin beats!

  • http://www.cyclicdefrost.com Seb

    Yeah that is what I meant by ‘double tempos’ – the half speed skank that is emphasised especially by Space Ape’s vocals which are super slow, but the faster tempo that is mixed on, and that the basslines push at. I DJ this sort of stuff down here in Sydney and we tend to mix the tracks as if they are 130-140 bpm even though they often do sound/feel 65-70 bpm.

  • Keri B

    yup. around 140 is correct

    listening to track 4 right now and it sounds bout 147, but I coulda counted been a bit off.

    This CD is awesome…but, does anyone eles hear a space between tracks. I ripped it onto my computer and playing it off my laptop and I think there’s a half second pause on the CD.

    The cover artwork of the CD has Kode 9′s name in a faint green text… practically invisble. Looks like they meesed up the printing.

    Otherwise… big up Kode 9!
    and I love the MCing

  • Jonathan Sykes

    I find this CD pretty forgettable. The drums are so muddy, and can’t cut through the mountains of bass with tons of sustain. I’d prefer there were no drums at all. The production sounds lazy and the Spaceape sounds kind of forced – I much prefer LKJ. There are some enjoyable moments, though, particularly in the second half. I read somewhere that this scene was “inclusive”. I wonder if that is a euphemism for half-arsed?
    Jonathan

  • http://www.cyclicdefrost.com Seb

    Hey Jon

    I think the real test of dubstep is hearing it on a big system. Grevious Angel sums it up nicely in his piece on a recent DMZ dance – http://blog.grievousangel.net/?p=330.

    That said, the Kode9 is the best introduction into what is a still developing sound. A lot of your criticisms about the muddy drums etc could be levelled at those very early years of jungle as well – when the producers were all young and still experimenting with their techniques. That’s the phase dubstep is in at the moment – experiments, tests, what will work on the dancefloor? how far can I push it? – those sort of questions.

    There are a few infrequent events of a dubstep nature in Sydney – check out a DJ set from Eli or a live show from Moving Ninja – on a decent system and the excitement around the sound may make more sense.

  • http://www.cyclicdefrost.com Seb

    Great new video for the latest release on Hyperdub 9 Samourai (sic).

    http://kode9.blogspot.com/2006/04/audio-addiction.html

    Lovely use of b&w, metallics. Love the vibrating bass cone.

  • Dubstep in Sydney

    Hey Seb,

    Just stumbled across this discussion – I’m from the UK and now based in Sydney, been loving the dubstep for a little while now and would love to know a bit more about the scene out here such as it is. Any more tips on nights and stockists? I mail order a lot of my tracks in from overseas.

    Couple of mixes to check out, Skream on BBC Essential mix from last week I think – you can download it on the net numerous places – and also try and catch some of the set from Sonar – intense stuff!

    I can’t remember being as excited about a new sound since I first heard jungle back in early 90′s. Makes me feel like I’m 14 again!

Click Clack Project Running On Air Audego Get a web advert!
Subscribe to posts via email

Cyclic Defrost is Australia’s only specialist electronic music magazine. We cover independent electronic music, avant-rock, experimental sound art and leftfield hip hop. Read more

Postal Address:
P.O.Box A2073
Sydney South
NSW, 1235
Australia

Email: info[at]cyclicdefrost.com

australia council Wordpress

RSS feed icon RSS

The views contained herein are not necessarily the views of the publisher nor the staff of Cyclic Defrost. Copyright remains with the authors and/or Cyclic Defrost.