Michaela Melián – Monaco (Monika Enterprise)
Michaela Melián´s Monaco sounds more like what we all think Berlin should sound – dour,…
Born and raised in Toronto, Stephen Fruitman has been living in northern Sweden lo these past thirty years. Writing and lecturing about art and culture as an historian of ideas since the early nineties, his articles have appeared in an number of international publications. He is also a contributing editor at Igloo Magazine.
Michaela Melián´s Monaco sounds more like what we all think Berlin should sound – dour,…
Not Knowing by Nicholas Szczepanik is one of the finest ambient pieces of recent vintage.…
In the late nineties, Eraldo Bernocchi released numerous tracks under the name SIMM, strewn about…
Herzog Herzog is out to confuse me. In 2012, Exitab released a four-track EP entitled…
Soft, psychedelic jams cross-dressing as easy-listening for suburban living room or luxury sedan stereo, delivered…
Following its great, stippled surface as a blind man feels Braille, fingertips and maybe the…
As “When Can” commences, with the distant horn and dark orchestral sweep of a noir…
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The medium is what we obsess over today, with little regard to our message. Since…
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Kings of kitsch? Clown princes of what they called “Berlin-Afro-Alpin-Dubstep-Killersound” back in 2006, at any…
Music to unstiffen by. The new album by Mike Cottone is a rare wholeness, a…
It’s never too late to take note of something pretty great. Kamitani is a duo…