Herzog Herzog – Sitzfleisch. (Exitab)

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Herzog Herzog

Herzog Herzog is out to confuse me. In 2012, Exitab released a four-track EP entitled Sitzfleisch! A bit further on down the line comes Sitzfleisch. Note the punctuation. The one with the period at the end of its title is a full-length album, the one being reviewed here.

Sitzfleisch. is a real show from the get-go, spanning (parodying? improving?) a host of genres from a handful of decades, some dormant, some still twitching. The show opens with the overture to a mad, medieval Punch and Judy called ´Ursulla´ before abruptly switching gears to kick into ´Ibiza 2079,´ a daft punky herk-a-jerk from the not-too-distant retro future. Joined by singer Johana Švarcová, ´Lost Lost Lost´ is something that would have been performed back in the early eighties by a synthpop band dolled up in dayglo pleather and spiked hair and no smiles. ´Run´ on the other hand is a little rococo go-go gone pleasantly koo-koo. ´Don Salamander´ is a Keystone Kops chase scene through a Lego version of Bladerunner LA.

But then it changes, not gears but personality. Sometimes the succeeding tracks wobble too much and don´t get a laugh. Which they might not be meant to, I´m not sure. Probably because this is the part that, at least in my ears, fulfils Herzog Herzog´s remit of a ‘hardware based analogue synth investigation into classical music’. I would have preferred the pie-throwing of the first five tracks, which slots neatly nearby The Residents, Tuxedomoon, even Pere Ubu, on its own EP. As a full-length album, it is two things for two different audiences, the second half sort of a twist on the switched-on bachiness of early pop-classical electronica. Two of these tracks in fact appeared on Sitzfleisch!

So I´m divided. The jesterish first half of Sitzfleisch. makes me very happy – what else to expect from something that means, among other things, ´ants in your pants´? – but the second half is not my meat. I am however fully impressed with the gorgeous, linocut album art on quality stock, giving it that early-printing woodblock look.

Stephen Fruitman

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About Author

Born and raised in Toronto, Stephen Fruitman has been living in northern Sweden lo these past thirty years. Writing and lecturing about art and culture as an historian of ideas since the early nineties, his articles have appeared in an number of international publications. He is also a contributing editor at Igloo Magazine.