
Emika – Klavírní (Emika Records)
Really only a few years into what promises to be a long, exciting recording and…
Born and raised in Toronto, Stephen Fruitman has been living in northern Sweden lo these past thirty years. Writing and lecturing about art and culture as an historian of ideas since the early nineties, his articles have appeared in an number of international publications. He is also a contributing editor at Igloo Magazine.
Really only a few years into what promises to be a long, exciting recording and…
Body in Sweden and soul soaring over the Himalayas, the gterma label is a lotus…
Multi-aliased and -genred Brian Grainger planned to cut his latest swatch of themed dub ambient…
A new series of field recordings on the excellent Eastern European imprint LOM, inaugurated with…
If Breslau is haunted, it must be by history. The German name for Wrocław, the…
Sri Lanka stripped bare by her suitor, Mark Vernon, during his six-week residency at the…
This is Kobe-based Hirohito Ihara´s second album, having debuted eight years ago with Odori. In…
Another talented nutball, and lord knows we need as many of them as we can…
Obviously the artist enjoys a good book, as Feu is said to be inspired by…
Imaginary Musicks in barely there editions on “no audience,” UK imprints. Volume 1 was released…
The piston-smooth stroke of Esplendor Geometrico is immediately attractive, an industrial steampunk Charlie Chaplin might…
With an ineffable artist name and album title, you better have something big to say.…
A fuck dance let´s art compilation, a finger nail dragged across the blackboard that scratches…
Halcyon Records hails late last year´s Universal Quantifier compilation as ”2014´s greatest album”. Couched in…
Home alone and playing machines that were surely exciting, shiny and state of the art…