Womadelaide 2023: 10th-13th March 2023 – Adelaide Botanical Gardens
Over the years its become increasingly apparent that Womadelaide is not just a music festival,…
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The Necks – Travel (Northern Spy)
It’s been fascinating watching Australian three piece The Necks approach recording over the years. Crafting…
Mike Majkowski – Coast (Fragments Editions)
Mike Majkowski is a Berlin based Australian double bassist, composer and experimental musician. He pops…
Julien Wilson – Meditations (Lionshare Records)
Julien Wilson is a Melbourne based saxophonist. He has released over twenty albums as leader…
Ibukun Sunday – Mantra (Spirituals/ Phantom Limb)
Nigerian electronic musician and violist Ibukun Sunday offers up these gentle repetative suites of hypnotic…
Regurgitator Unit (33 1/3/ Bloomsbury)
Many have claimed the album is dead. Since 2009, when Ian Astbury of band The…
MIRA Digital Arts Festival: Barcelona November 2022
A few weeks ago we lived a new edition of the MIRA Festival, the annual…
Kim V. Goldsmith: “Why audio? That’s a great question…”
Kim V. Goldsmith‘s interdisciplinary practice is informed by her former professional life as a print/radio…
Peter Knight:”Letting go.”
Peter Knight is a trumpeter, composer and the artistic director of the Australian Art Orchestra…
The Phonometrician – Cóiste Bodhar (Lost Tribe Sound)
The Phonometrician is Mexico City based musician Carlos Morales, and Cóiste Bodhar is his second…
The Advisory Circle – Full Circle (Ghost Box)
In Full Circle, the sixth studio album of The Advisory Circle, Cate Brooks conjures a…
Tim Koch – Volpanning (Central Processing Unit)
It begins in your face with booming bombastic rhythms, almost pummelling, and you immediately know…
Myst Mach: “Drag has a power that mesmerises you.”
As her set ends at the first inFREQUENCY show, a punter yells from the crowd…
Lawrence English: “The Shadow of The Zone.” Part 2
Welcome to the second of our two part tangential in depth conversation with Australian sound…
Ondness – Oeste A.D (Discrepant)
It’s really difficult to contextualise this album – and that’s what makes it so compelling.…