For Danielle Baquet-Long * 1983-2009
Although I only knew Dani through a back door, through the music that sounded through…
Although I only knew Dani through a back door, through the music that sounded through…
This label evokes the consistency brought on by a sense of home through the contradictions…
John Grzinich’s Phase Inversion is a giant murmuring, always on the verge of blooming, though…
Graham Richardson’s penchant for electronic transformation and deliberate distortion becomes like a sky stung with…
This work from Oliver Peters may be seen as an exercise in reserve and restraint:…
The slow, heavy and subharmonic backdrifts that wend through 8 Year Sleep play like a…
Paniyolo establishes his own signature of intimacy on his debut effort for Schole. A careful…
The composed crystalline contortions and celestial atmospheres that flared up during Standing on a Hummingbird,…
Tomasz Bednarczyk moves out of the shadows a bit more with his second full-length effort.…
In processing the voice of Leonard Cohen beyond recognition, sound artist Gary James Joynes liberates…
Aix steers Giuseppe Ielasi well away from the refulgent romanticism he’s courted on past works.…
The recent barrage from Baskaru begins with the second fully-fledged effort from Ethan Rose, who…
Ecstatic free jazz percussion is the premise here, but with chalky, scraping electronic contrasts and…
Blackbirds, the sedentary barnacles of innumerable downtown districts, are the stuff of sound artist Christopher…
Shinkei and Turra, sound artists and owners of Koyuki, a label that forages through the…