Mark Harwood: “Let me be blunt here, I do like completely insane and unhinged music.”
I’ve known Mark Harwood for a long time. You can read more about that in…
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Beautify Junkyards – Cosmorama (Ghost Box)
Beautify Junkyards are a group of multi-instrumentalists headed up by João Branco Kyron on vocals…
Various Artists – It’s Not What It Seems (The Burning Trestle)
Compilations are great. You get a taste of so many different artists and so many…
Howard Stelzer – Invariably Falling Forward, Into The Thickets Of Closure (No Rent Records)
While most spent 2020 fretting about – well, everything – Massachusetts-based wrangler of old tech…
Yui Onodera: “We are involved in a life that passes understanding and our highest business is our daily life.” – John Cage
The seven years between conversations with Cyclic Defrost for Japanese sound artist Yui Onodera has…
Ray Harryhausen: Ultimate Collection (Via Vision)
Imagine a giant Cyclops fighting a giant dragon. How about a giant radioactive octopus plucking…
Tristan Louth-Robins: “The compositions are deeply personal reflections that the listener is invited to bring their own unique interpretation to.”
Tristan Louth-Robins’ interests include sound art, composition and acoustic ecology. This audible work explores relationships…
Possessor (Monster)
Brandon Cronenberg’s directorial debut 2012’s Antiviral was an icky take on our celebrity obsessed culture,…
Lessons from the Disquiet Junto by Jason Richardson
Soon after I wake on Friday mornings, I begin looking for news of the latest…
“Midnight drive on an endless freeway” Cong Josie Interview and Rare Unearthed Video Footage
Cong Josie is a new act to come from the mind of Melbourne-based Heat Beatist…
Pauline Oliveros/ Stuart Dempster/ Panaiotis – Deep Listening (Important Records)
In her book Deep Listening: A Composers Handbook, US composer Pauline Oliveros describes Deep Listening…
John Frusciante – Maya (Timesig)
There’s a strange symmetry in reflecting that a favourite musician from the late 20th Century…
Praed Orchestra – Live in Sharjah (Morphine)
Quite unexpectedly for a duo that have consistently characterised themselves via their noisy high energy…
The Day of The Locust (Imprint)
The Day of the Locust sounds like a horror movie because it is. Where some…
Danger Diabolik (Imprint)
It’s hard to get much more over the top than the 1969 Italian film Danger…