Womadelaide: 11th-14th of March 2022 – Adelaide Botanical Gardens
It’s difficult to put into words the outpouring of joy that we felt walking into…
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Etran de L’Aïr translates to “the Stars of the Aïr,” the mountainous region of Northern…
Deathcheaters (Umbrella)
I wasn’t expecting much from Deathcheaters to be honest, as like Stunt Rock (you can…
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Everything moves slowly with Belgian artist t’Geruis, yet the impact of his music reverberates endlessly.…
Niagara: ‘Concrete Freedom’
Niagara is the Portuguese trio of Sara Eckerson and brothers Antonio and Alberto Arruda. I…
The Big Boss (Umbrella)
The Big Boss was the film that made Bruce Lee a star. Despite having acted…
Barney McAll: ‘All the different Barney’s’
Barney McAll is a Melbourne composer and musician (predominantly piano and keys) who has worked…
Del Lumanta interviews Nina Buchanan: ‘Restless Abandon’
Nina Buchanan is a Melbourne based artist via Sydney working across live production, sound and…
Acid Mothers Reynols – Vol.2 (Hive Mind Records)
Japan’s guitar worshipping psychedelic drone monsters Acid Mothers Temple and Argentina’s weirdo conceptual experimentalists Reynols…
King Champion Sounds – Between Two Worlds (Hive Mind Records)
As we lamented in our sprawling end of year list the abundance of great music…
Marcus Skinner (Sunhaus) ‘Soft Explosions’
The music of Sunhaus is warm and undulating, filled with shimmering textures and elongated drones.…
µ-Ziq & Mrs Jynx – Secret Garden (Planet Mu)
As we lamented in our sprawling end of year list the abundance of great music…
A Beautiful Machine – We Have Become Oceans (Self Released)
As we lamented in our sprawling end of year list the abundance of great music…
Philip Tabane and his Malombo Jazzman – The Indigenous Afro-Jazz Sounds of (We Are Busy Bodies)
As we lamented in our sprawling end of year list the abundance of great music…