Urthboy interview by Dan Cameron
Interview with Tim Levinson By Dan Cameron Creative output is like throwing your flares up,…
Interview with Tim Levinson By Dan Cameron Creative output is like throwing your flares up,…
Interview with CocoRosie By Renae Mason The verdict isn’t quite out on CocoRosie. Mythology surrounds…
Interview with Chris Smith by Dan Rule Chris Smith is something of an underground iconoclast…
Interview with Aleks and the Ramps By Richard McFarlane The last time I saw Melbourne…
Artist: Si Begg Title: Jetlag and Tinnitus Part 1 Label: Noodles Recordings Format: 12†Designer:…
Interview with Christopher Willits by Simon Hampson Christopher Willits has been crafting processed guitar works…
Interview with Erdem Helvacioglu by Ewan Burke You are in a snow-covered hilly landscape. All…
Tony Dupe loves making records. The producer, musician and studio owner behind the instrumental acoustic/electronic…
Tullamarine Airport, Melbourne, 1975: Warren Burt is asked to demonstrate the workings of his cassette…
Interview with Sam Amidon by Lyndon Pike Amateur film maker, actor, cartoonist, former child prodigy…
Scot McPhee’s girlfriend was offered a gun by criminals, that’s as close as he’s been…
Interview with Underlapper by Chris Downton Sydney-based six-piece Underlapper first coalesced around the central core…
The Bar At The End Of The Universe is the setting for Kaho Cheung’s second…
Interview with Noah Lennox By Emmy Hennings In May 2007, founding Animal Collective member Panda…
Interview with Jeremy Dower by Renae Mason (This has been edited with corrections subsequent to…