Storm the Studio with Feral Media’s Danny Jumpertz
Danny Jumpertz’s studio is no regular studio, and don’t go looking for the phone number…
Danny Jumpertz’s studio is no regular studio, and don’t go looking for the phone number…
Last year, a reclusive young Kansas musician recorded an album with a peculiar creative motif…
Melbourne’ MC Ivens first emerged from Burn City’ hip-hop scene a few years back as…
The Nam Shub of Enki, according to Neal Stephenson’ post-cyberpunk novel Snow Crash, was a…
Before I spoke to Francis Plagne on the phone, I rode the bus with my…
Relative to his extraordinary sonic achievements, David P. Madson is one of the truly unsung…
“I really like music that drags you in,” says Melbourne producer Alex Gillett. His self-titled…
Shame File Music’ latest release, Artefacts of Australian Experimental Music: 1930 – 1973, is a…
Mark Pritchard has released music under a plethora of aliases. From Link and Reload, and…
The bass already sounds as if it was coming from elsewhere. Huge but muffled, spread…
Kashiwa Daisuke garnered his first inkling of praise for the sketches which were displayed on…
The music of Japanese quartet Mono is about light and shade, offering searing orchestral post…
Eluvium creates dense creeping drone music seemingly imbued with powerful emotional resonances. A foray into…
Josh Santospirito’s debut Is This A Desert? is a long way from its obvious contemporaries…
Queensland is a funny place. Look!Pond is a three-piece; they live in Brisbane. Their singer…