It makes sense that a Melbourne outfit in thrall of Bollywood excess, both musically and visually, would pit their debut long player as the soundtrack to a fantastical Bollywood romp.
Over the past few years this mysterious masked nine-piece (plus singers) have been honing their sense of the dramatic, of the exotic and the majestically kitsch around town. We’re talking surf guitar melding into jazz, exotica, and rockabilly, with searing synth injections and of course the more traditional sitar, mandolin and tabla. Live they’re a party machine who play up the more fun and kitsch elements of their sound, yet this recording adds extra depth, where you can ignore the theatrics and hone in on the musicality, the strange genre mashes and wacky compositional decisions.
With a three-piece string section, big beautiful brass, and of course ultra funky basslines if you close your eyes you’re knee deep in curried funk, thanks in the main to the two vocalists Parvyn Kaur Singh and Shourov Bhattacharya who both sing in Hindi. Their interplay in particular provides much of the narrative to the music. That said the opening track Monkey Fight Snake, an instrumental, is an epic, that initially sounds like garage rock until these descending horns blast the tune apart opening up room for tabla and just when you think you have the tune worked out it moves into a very strange mariachi Morricone territory. It’s the only instrumental track on the album and it’s worth the price of admission alone.
Increasingly there’ something of a faux world music scene happening in Melbourne, where the influences no longer come from American or British guitar bands. Label mates Public Opinion Afro Orchestra worship at the well of Afrobeat, Puta Madre Brothers are mariachi garage connoisseurs, and Bombay Royale offer a loving homage to an unparalleled music industry. They’re all putting their own stamp on the traditions, though few do it with as much exuberance and inventiveness as the Bombay Royale.
Bob Baker Fish
