In a world dominated by the idea of the Ipod shuffle and the next hook-laden radio single, it’s refreshing to discover that some people still subscribe to the art of making an album – a complete sonic adventure that is best listened to in the order it’s pressed onto the cd/vinyl. The self-titled debut from three piece made up of Vladislav Delay, Antye Greie and Craig Armstrong (pianist and film score composer who composed the strings on Massive Attack’ Protection), is a fine example of an album that takes you on a journey, both through sound and emotions. It could be described as broody, cinematic, sometimes sparse, at others dense, occasionally quirky and always beautiful, The Dolls is one of those albums that rewards you if you put in the time. What sounds like interesting field recordings, or could be rather untraditional instruments, pianos, strings and subtle bass lines and electronic tinkerings form some intriguing soundscapes. The European accented vocals only add to the charm and seduction. Half-way through the album The Dolls perhaps tucked into some red cordial and got a bit giddy, busting out some comparatively up-tempo tunes and then the sugar crash came and they take us back into their sometimes desolate yet simultaneously beautiful and warm world. A sweet journey indeed.
Anna Burns
