Judgement Jukebox by Andrew Maher
A 24-hour liquor license means more than simply allowing the unhindered purchase of alcohol. It…
Cover designer interview – Tom Phillipson by Angela Stengel
Tom Phillipson was a creative boy long before he designed the cover for this issue…
Montonik interview with Simon Carless by Melinda Taylor
Next time you are sitting at work bored and are wondering the best way to…
Remembering 8-Bit : Commodore 64 Sound by Barry Handler
Back in the mid 80s, The Commodore64 computer was the dream item on every pre-pubescent…
Montreal 101 – C’est quoi le Glitch esti? by Lucinda Catchlove
It is always tempting ‘ especially for music journalists, fans and those on the business…
Australian Electronic Listening Music – Couchblip, Aural Industries, Surgery
Intelligent dance music is an annoying term. Originally coined by UK ambient DJ and producer…
Pivot & Triosk interview by Bim Ricketson
Drums scraped away in triple time. The guitarist picked out jazz notes and ground them…
Quark Kent interview by Seb Chan
My first contact with Quark Kent was when a demo tape arrived in the mail…
Betaville Orchestra interview by Seb Chan
Over the last eighteen months CDRs have been being passed around Sydney containing deeply atmospheric,…
Lucas Abela & Dual Plover interview by Chloe Sasson
Some may say that it was the Gold Coast skegs who helped steer Lucas Abela…
Dog Control, Bitch – Bloody Fist story by Adrian Ferra
Story by Adrian Ferra Bloody Fist has just celebrated its 8th year of releasing hard…
Pony Loaf interview by Lawrence English
It’s an interesting time for electronic music in Queensland. There’s a distinct awareness shared between…
Looking for the Broken Beat by Hillegonda Reitveld
Dance culture is dead ? This is one conclusion as super clubs are waning in…
Editorial Issue 1
In the last few years the music scene around here has been dying. The venue…