Like an itch you can’t scratch or that word on the tip of your tongue or those builders renovating the house next door, Fossil Aerosol Mining Project’s ‘The Unlistening Place’ just won’t let you be.
A self-described “cryptic ensemble from the American Midwest,” Fossil Aerosol Mining Project have been active since the 1980s, releasing unsettling works that combine eclectic found sounds, obscure tape loops, tortuously-manipulated samples, murky electronics, treated snippets from film and television, abrasive synthetic squalls and decaying audio frequencies.
The end result? Collage-style soundscapes that, at first, seem like little more than random aural juxtapositions and experimental noise-works. However, a closer and deeper listen reveals patterns, orbits and spirals within each record’s assumed arbitrary nature, with each piece/track referencing those that came before it, so that by the time each record has reached its conclusion it has revealed itself to be a kind-of holistic whole.
And so it is with ‘The Unlistening Place’: to view or approach each piece/track in isolation is to do a disservice to the album in its entirety. A fitting analogy here is to image ‘The Unlistening Place’ as a building – you wouldn’t look at a brick or sheet of plaster or floorboard as an encapsulation of a whole house, and nor should the individual pieces/tracks of ‘The Unlistening Place’ be heard as a representation of the album as a whole. Instead, you need to simply sit and absorb it from beginning to end, letting it flow through you and wash over you. Only then does its brilliance become apparent.
The music within ‘The Unlistening Place’ definitely isn’t for everyone, even those with a bent for the unusual, experimental or flat-out bizarre (if you can even call Fossil Aerosol Mining Project’s work music – sound art is a much more appropriate descriptor). However, if you’re after something that will take you on a strange and unnerving journey, then look no further.