On the Winter Solstice of 2014 – the Northern Hemisphere’s longest night of the year – composer, bandleader & percussionist Adam Rudolph convened 11 of New York City’s finest and most adventurous guitarists in a New Jersey studio for a most auspicious event: the debut of Go: Organic Guitar Orchestra, his all-guitar orchestra. In attendance were guitarists Rez Abbasi, Nels Cline, Liberty Ellman, David Gilmore, Miles Okazaki, and Marvin Sewell, all on electric guitars and effects; Damon Banks on bass guitar; Marco Capelli on acoustic guitar, effects; Jerome Harris on electric guitar, electric bass guitar, and lap steel guitar; Joel Harrison on electric guitar and national steel guitar; and Kenny Wessel on electric guitar and banjo. With Rudolph at the helm, conducting musical charts and creative improvisational energy, the orchestra began to play. The result is Turning Towards the Light which was released on Cunieform Records on the 2nd of October this year.
Based in NYC, Adam Rudolph has long been a key figure in the jazz and world music communities, working both solo and in long-term collaboration with such renowned musicians as Yusef Lateef. A composer, bandleader, and percussionist, he is deeply immersed in hybrid music and interactive live performance using written and graphic charts and conducted improvisation. For the last 14 years, Adam has gained widespread acclaim for his Go: Organic Orchestra, which features a variety of classical, ethnic and modern instruments.
Turning Towards the Light is the 10th release in Rudolph’s series of recordings for Go: Organic Orchestra. His previous recordings for Go: Organic Orchestra featured an array of instrumentation to bring to life his rhythmically unique creative music. But for Turning Towards the Light, Rudolph envisioned a new kind of orchestral sound conveyed by a single instrument: guitars, whose strings, coaxed by the right hands, are capable of unleashing an orchestra of different musical sounds. He says: “I try to do something new with each performance and recording. This time I wanted to experiment with a new kind of orchestration. I felt that with their range of sound and rhythm, these 11 electric guitars could generate a sonic palate that had never been heard before. I was looking for a new kind of “Future Orchestra” – and I think we found it.”
More information here.